The End of the Tour received a so-so review in this week's Chicago Free Press:
Theater: "The End of the Tour"By Web Behrens
Published: February 24, 2010
Posted in: FreeStyle, Theater
Written by: Joel Drake Johnson
Showing: Berwyn Cultural Center,
6420 16th St. (Berwyn) thru Mar. 6
Tickets: $16
Contact: 708-795-6704
www.16thstreettheater.orgSimple hand holding between a gay couple in a small town becomes an emotional minefield in “The End of the Tour”—a scenario surely familiar to plenty of big-city ‘mos who “de-gay” themselves while around family. In Joel Drake Johnson’s uncomfortable drama, currently showcased by Berwyn’s 16th Street Theater, prissy Andrew takes his partner on an unexpected emotional journey when a trip home uncovers buried memories of bullying.
In this case, “home” has extra allegorical heft: It is Dixon, the Illinois hamlet that produced Ronald Reagan. The late president remains revered by conservatives, but his hokey patriotic rhetoric (used in snippets throughout the play) reveals a huge disconnect between words and actions—particularly his callous refusal to address the burgeoning AIDS epidemic in the 1980s. Reagan becomes a symbol of the disconnect Andrew feels between alleged family values and the anti-gay reality.
Indeed, Johnson turns a hard eye on multiple versions of emotional violence within families. Andrew’s mother (a fierce, compelling Roslyn Alexander) turns out to be a gorgon of the first degree, at turns charming, confused and unforgivingly cruel. Kathleen Powers infuses sister Jan with a reserved grace, while H.B. Ward gives a gripping portrayal of her estranged husband. Kevin Mayes’ warts-and-all Andrew is believable, though the love Madrid St. Angelo depicts for the petulant Andrew feels unearned, since we never see the couple in earlier happy times.
Despite strong performances, the production never gels. Director Cecilie Keenan’s awkward blocking distracts, as does Rick Paul’s ugly set, with its abstract colored lines and bizarre giant triangles that function as walls. If his aim was to recall the horrid design aesthetic of the Reagan era, Paul nailed it.